Oui, it's en Française, but bien sûr there will be subtitles. Guess who lucks out? If divining this is beyond you, or you'd like the 3D version, or maybe you just feel like a brief Riviera sojourn and the Maverick's low on fuel, head over to the Union Square Cinemas (sorry) starting March 28. One night her instincts fail her: the gold (Gad Elmaleh) turns out to be fools, a mere bartender. In short, Audrey, whose elfin crop has morphed into a tousled updo, plays Irene, an opportunistic youngster who mines for gold amidst upper crusters intent on Riviera R&R. Not heavy, or meaningful, but absolutely fun, in that urbane, Frenchy way. However, we eventually decided to risk it ( Across the Universe was sold out), and, savez-vous, it was fantastique. That said poster featured stock smug young thing in ball gown next to bumbling slightly elder gentleman also in tux only made us more nervous. Endless Da Vinci Code trailers had left us so nearly without faith that when we spotted a poster for a film called Hors de Prix (Priceless), we feared for the worst. Director Stephaen Daldry timelessly presents the life and psychotic changes of the exceptional English author which Nichole Kidman won the Oscar for best actress. Coupled with a series of unfortunate accidents, Fumio suddenly loses. Dalloway about three women doomed with depression. Priceless: Aru Wake Nedaro, Nnamon is a Japanese television series which premiered on Fuji. However, Amelie came out quite some time ago, and, other than Dirty Pretty Things (which, while excellent, was hardly a delightful romp), we've been rather disheartened with Audrey's role selection. The Hours is a melancholy tragedy based on the book by Virginia Woolf Mrs. Call us a cliched francophile, but we still love Amelie, and by Amelie, we mean Audrey Tatou, and her cute little cafe and cute little Montmarte life.
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